...for Komorowska-Birger's installation, two orders exist: aesthetic and content-related - saturated with associations, symbolic and mythological references - are inseparable. The difficult beauty of things is meant to attract the viewer to reflection and the search for meanings. ...Komorowska-Birger only to some extent engages in a discussion with representatives of new realism - Hasior used a child's sewing machine to poignantly depict the violence inflicted on humanity by ideology, while Komorowska-Birger, with the "Singer" of beautiful lines, shows the quiet drama of the individual in its biological nature, the struggle waged with feminine means to escape nothingness, to revive life - the delicate fabric of the body and what is inside thoughts and feelings; for a moment to resist passing away.

Ewa Urbańska, Microcosm - three layers, four interiors, a polyphony of artists?, p.66