Wall of Tears - Tear
College of Art Gallery
Dartington, United Kingdom
2007
Paulina Komorowska-Birger uses glass material in a form that seems to freeze objects from the artist's surroundings, wrapping them in a spiderweb-like network, evoking their long-lasting effects. It also resembles the tradition of still life, transferring the object not so much into timelessness but into a conscious, because dictated by the limits of human life - time - finiteness and, from another perspective, its non-finiteness. Objects, seemingly wrapped in a glass network, change their consistence-temporal character. They crystallize in time, so to speak. The perceived residues of the surrounding reality are also described or expressed by the artist using the film medium.
Sylwia Świsłocka-Karwot, Art, Reason, and Justice. Catalog 25/25, Wrocław 2016
Wall of Tears - Tear
College of Art Gallery
Dartington, United Kingdom
2007
Paulina Komorowska-Birger uses glass material in a form that seems to freeze objects from the artist's surroundings, wrapping them in a spiderweb-like network, evoking their long-lasting effects. It also resembles the tradition of still life, transferring the object not so much into timelessness but into a conscious, because dictated by the limits of human life - time - finiteness and, from another perspective, its non-finiteness. Objects, seemingly wrapped in a glass network, change their consistence-temporal character. They crystallize in time, so to speak. The perceived residues of the surrounding reality are also described or expressed by the artist using the film medium.
Sylwia Świsłocka-Karwot, Art, Reason, and Justice. Catalog 25/25, Wrocław 2016