(…)The works of Komorowska-Birger, extremely personal, have many references to the environment - treated on various levels - as much of our life depends not on us anymore, but on the desired desire for contact with the world. As a result, the final work of art becomes a sphere that strongly influences the emotions and experiences of the contemporary viewer - a viewer whose presence seems necessary for the full existence of the mentioned artifact. The artist's work is metaphorical and ambiguous in content. Reflective and emotional potential exists in it in perfect, harmonious, and coherent coexistence. Anxiety, the fragility of human existence, the inevitability of passing, or the tension between sensuality and spiritual spaces - all of this can be its potential content, although obviously, many more symbolic tropes, suggestions, and meanings can be found here.(…) But besides that, in the art of this artist, there is "something" that exists in the realm of "unnamed" and "unidentified" qualities, yet suggestively conveying its strength and power of influence, "something" that cannot be written about but can only be felt when inside reflective spaces.

Wojciech Müller, excerpt from a review, Poznań, June 2012